Tuesday 19 September 2017

And the next update...

The theme of the last couple of months has been quilting, knitting and destahing fabric; the latter because I realised if I wanted to combine quilting and knitting there was no way I was going to be able to get through my healthy fabric stash.

Unless I lived to infinity which I don't think is possible just yet.

So let's kick off with Soy Amado. Three big bags of quilts went off last week and I'm just waiting to hear where they've gone which I will then, hopefully, share pictures of.

The blocks have continued to come and I have quite the leaning tower of blocks to choose from. I will get around to making some more soon but my sewing machine is currently occupied...more on that shortly.

Soy Amado No. 123


I have a thing for dahlias, the more jewel like the better.
It was raining when this pic was taken so there was no inclination to go looking for a local scene.
It was either the trusty washing line or my dahlia border and the the dahlias won out.

Soy Amado No. 124



No. 125

I know. Another chance to brag about the dahlias.



No. 126 was another beautifully made one from @grannyjack123 on Instagram and was a fabulously colourful shot on a miserably grey summer's day. If you look closely, you'll spot a couple of keen swimmers getting in to the sea.



No. 127 - many of the blocks are country flags, very generously sent by an IGer in Germany. There's even a Guernsey one.



I've carried on knitting.


This is a Mulberry & Silk yarn from Sherwood Yarn in a colourway called King's Ransom. The pattern (available on Ravelry) is called the Bosky Cardigan but I did slightly alter it by adding the vertical edging along either front edge as I felt it didn't add enough boobage coverage. It's lovely to wear and I've reblocked that slightly squiffy left (as you look at the pic) bottom edge bit. Can't recommend the yarn highly enough.

Appreciate it's not the most tantilisingly styled pic you've ever seen but I'm also seed stitch deep in an Addison sweater.


I'm knitting that one in Blacker DK Gotland. It's got quite a rough texture when compared to the cardigan above but when I wet blocked the swatch,it did go much softer. Currently finished the front and am half way up the back. This one is knitted in separate pieces, whereas one above was knitted top down in the round which is always much easier in terms of less seaming to do.

I also visited (and possibly may have purchased) a couple of yarn stores over the summer.

Imagiknit in San Francisco which, believe it or not, was completely overwhelming. I walked in the door and the choice was too much. Two rooms crammed with yarn, yarn and more yarn. Their system was to categorise by yarn weight and then composition but it was still a 'where do I start' moment.

Plus, I cycled there using Google Maps on my phone which told me it would be an 18 minute cycle ride from where I left my husband. I told him I 'won't be long' but Google Maps doesn't take in to account the hills in San Francisco.

I returned to him two hours later.


Definitely worth a visit though.




I also visited Loop in London.





Oh and a five minute walk from where I was staying in San Francisco was Britex Fabrics. Very hard not be impressed/overawed.








Long flights mean the opportunity for hand piecing and the following represent two transatlantic flights...minus the backing to the blocks which I forgot to cut out and bring with me.



I don't really have a game plan for these blocks - I think they're just blocks to do whilst on the move so maybe in a couple of years I'll have enough to put together for a whole quilt.

And then there's this.

My Pickled Fish Quilt finally got it's border put on it.


Simply put, scrappy quilts are the best. They're fun, quirky, happy, mad, zesty, visually interesting and completely and utterly by cup of tea.

A form of controlled chaos.


Which I love, love, love.


And now I'm on a mission to quilt it.
Lines just 1/4' apart which are giving the most amazing texture to the quilt.
I can't remove it from under my machine until I've finished so when there's a sneaky spare moment to be found, that's where I am.

I'm using all sorts of weight and colour of threads (including monofilament) every few lines so it's not just a uniform look but again, a disjointed feast for the eyes.

Hopefully, it's working.


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